(104) Know Your Players: An In-Depth Look at Player Behavior and Consume...
by Chris Bateman (International Hobo Ltd)
Business and Management  

(104) Know Your Players: An In-Depth Look at Player Behavior and Consume...
by Chris Bateman (International Hobo Ltd)
Business and Management  

(105) Core Techniques and Algorithms in Shader Programming
by Tom Forsyth (Intel)
Programming  

(105) Core Techniques and Algorithms in Shader Programming
by Tom Forsyth (Intel)
Programming  

(304) Independent Games Summit
by Jenova Chen (thatgamecompany)
Game Design  

(304) Independent Games Summit
by Jenova Chen (thatgamecompany)
Game Design  

10 Steps to Success in Outsourcing Contracts
by Vincent Scheurer (Sarassin LLP)
Business and Management  

3D in 3D: Rendering Anaglyph Stereographics in Real-time
by Bruce Oberg (Sucker Punch Productions)
Programming  

3D in 3D: Rendering Anaglyph Stereographics in Real-time
by Bruce Oberg (Sucker Punch Productions)
Programming  

3D Tricks: Engineering Innovation on the Nintendo DS
by Gregory Oberg (Vicarious Visions)
Programming  

4D in Zero Space: Living Games with Procedural Textures
by Sebastien Deguy (Allegorithmic)
Visual Arts  

A LocoRoco Postmortem: Making Happiness into Gameplay
by Tsutomu Kouno  
Game Design  

Advanced Audio Techniques for Racing Games: Creating Audio for Forza Mot...
by Joel Robinson (Microsoft Game Studios)
Audio  

Advanced Audio Techniques in UnrealEngine3
by Nick Whiting (America's Army)
Audio  

Advanced Granular Synthesis for Next Generation Games
by Leonard Paul (Lotus Audio)
Audio  

Agile Game Development
by Clinton Keith (Clinton Keith Consulting)
Production  

Art Department Confidential
by Seth Spaulding (Blizzard Entertainment)
Visual Arts  

Art Department Confidential
by Seth Spaulding (Blizzard Entertainment)
Visual Arts  

Autodesk 3ds Max and Autodesk Maya: Advanced Animation Techniques
by Grayson Chalmers (Sony Online Entertainment)
Visual Arts  

Automatic Generation of Dynamics Models
by John Ratcliff (Simutronics Corporation)
Programming  

Bend Microsoft Project to Your Will
by Mike McShaffry (Red Fly Studio)
Production  

Building The Future Of Indie Games
by Eric Zimmerman  
Game Design  

Censorship of Video Game Content: Time to Fight Back
by Lawrence Walters (Weston, Garrou, Walters & Mooney)
IGDA  

Challenging Everyone: Dynamic Difficulty Deconstructed
by Aaron Cole (MumboJumob LLC)
Game Design  

Challenging Everyone: Dynamic Difficulty Deconstructed
by Aaron Cole (MumboJumob LLC)
Game Design  

Cinematic Game Design II: Storytelling
by Richard Rouse III (Ubisoft Montreal)
Visual Arts  

Classroom to the Console: The Autobiography of flOw
by Jenova Chen (thatgamecompany)
Game Design  

Comparing First-Generation Drama Engines
by Patrick Dugan (True Vacuum)
Game Design  

Console Wars: Issues for the First Two Years of Next-gen
by Don Daglow (Don Daglow Interactive Entertainment)
Production  

Controlling an Entire Theatre of War: The Development of Supreme Commander
by Chris Taylor (Gas Powered Games Corp.)
Game Design  

Copycats and Copyrights: Solving the Casual Games Puzzle
by Stephen Rubin (Law Office of Stephen Rubin)
Business and Management  

Cross Application Asset Creation for LAIR: From Characters to Clouds
by Mark Teare (Factor 5)
Visual Arts  

Designing Next Generation Connected Games
by Scott Foe (Nokia)
Game Design  

Dragged Kicking and Screaming: Source Multicore
by Tom Leonard (Valve Software)
Programming  

Early Stage Funding for Independent Development Studios and Gaming Start...
by Matthew Le Merle (Keiretsu Capital, Concept Art House)
Business and Management  

Embodied Agents in Dynamic Worlds
by John O'Brien (Red Storm Entertainment)
Programming  

Episodic Gaming For Indies
by Dave Grossman (Telltale Games)
Game Design  

Feud No More: Learning to Love the Hybrid Web/Download Casual Game
by Bret Barker (iWin)
Programming  

From the Frontline of Outsourcing: The Lessons Never End
by Kristine Coco (ngmoco:))
Production  

Game Design in Agile Development
by Rory McGuire (High Moon Studios)
Game Design  

Hair Styling: A Teenager's Dream, An Artist's Nightmare
by Peter Woytiuk (BioWare Corp.)
Programming  

How to Convert to Data-driven Audio and What Can Go Wrong
by Tomas Neumann (Crytek)
Audio  

If You're Scared That Others Will Find Out You Don't Know How To Be a Ma...
by Mark Horstman (Manager Tools)
Business and Management  

Indie Prototyping, Braid, & Making Innovative Games
by Jonathan Blow (Number None, Inc.)
Game Design  

Innovation in Indie Games
by Steve Swink (Enemy Airship)
Game Design  

Interactive Cinematography
by Thiery Adam (Ludia Inc.)
Game Design  

IP: Creating It, Using It, and Keeping It
by S. Gregory Boyd (Davis & Gilbert LLP)
Business and Management  

Is Jimi Hendrix a Good Level Designer?
by Daniel Sussman (Harmonix Music Systems, Inc.)
Audio  

Is There Anything Comparable to Spherical Harmonics But Simpler?
by Chi Sing Leung (City University of Hong Kong)
Programming  

It's More Than Making Coffee: Interns - How to Grow Your Team From the G...
by Chris Sulzbach (Firaxis)
Business and Management  

It's More Than Making Coffee: Interns - How to Grow Your Team From the G...
by Chris Sulzbach (Firaxis)
Business and Management  

Legal Issues Affecting The Creation And Implementation Of DRM Systems
by Gabriel Ramsey (Orrick, Herrington & Sutcliffe LLP)
Business and Management  

Legal Issues Affecting The Creation And Implementation Of DRM Systems
by Gabriel Ramsey (Orrick, Herrington & Sutcliffe LLP)
Business and Management  

Legal Ramifications of User-Created Content in Open and Closed Virtual W...
by Sean Kane (Pillsbury Winthrop Shaw Pittman LLP)
Business and Management  

Magic Lessons: Designing and Balancing Game Objects
by Robert Gutschera (AristoDigital)
Game Design  

Magic Lessons: Designing and Balancing Game Objects
by Robert Gutschera (AristoDigital)
Game Design  

Making An Indie MMO
by Daniel James  
Game Design  

Managing Audio in 3rd Party Development
by Alexander Brandon (Heatwave Interactive)
Audio  

Mapping Your Corporate Geomorphology
by Casey O'Donnell (University of Georgia)
Business and Management  

Marketing For Indies
by Russell Carroll (Reflexive Entertainment/Game Tunnel)
Game Design  

Meeting Players Halfway: Using Adaptive Systems to Prevent Player Frustr...
by Lida Tang (Irrational Games, LLC)
Programming  

More Than Just A Pretty Map - Creating Next-Generation Materials for LAIR
by Matthias Worch (LucasArts)
Visual Arts  

Multichannel Audio: Techniques for a Hi-Def Experience
by Bryan Pearson (Treyarch)
Audio  

Narrative Landscapes: Shaping Player Experience through World Geometry
by Brian Upton (SCEA)
Game Design  

Next Generation Public Relations Panel
by Sean Kauppinen (International Digital Entertainment Agency)
Business and Management  

OpenGL ES 2.0: Start Developing Now
by Dan Ginsburg (AMD)
Programming  

Our Journey From Narbacular Drop To Portal
by Kim Swift (Airtight Games)
Game Design  

Physics Games Go Indie
by Matthew Wegner (Flashbang Studios)
Game Design  

Planning for a Soft Landing: Negotiating Termination Clauses in Game Dev...
by Jim Charne (Law Offices James I Charne)
Business and Management  

Postmortem: Gastronaut Studios' Small Arms
by Jacob Van Wingen (Gastronaut Studios LLC)
Game Design  

Pre-computed Light Carving into Meshes
by Stephan Etienne (High Moon Studios)
Programming  

Predicting the Future: Effective Project Scheduling Tools and Techniques
by Duane Webb (BioWare Corp)
Production  

Presenting PLAYSTATION® Edge: Advanced Graphics Tools and Technologie...
by Vince Diesi (SCE Worldwide Studios)
Programming  

Producing Quality of Life: The Producer's Responsibility (Day One)
by Heather Chandler (Media Sunshine, Inc.)
IGDA  

Projection Matrix Tricks
by Eric Lengyel (Terathon Software)
Programming  

PS3 Audio: More Than Extra Channels
by Michael Kelly (Sony Computer Entertain... Europe)
Audio  

PS3: Audio Development From the Trenches
by Paul Mudra (Insomniac Games)
Audio  

Realtime Physically Based Sound Synthesis for Games
by Ming Lin (UNC Chapel Hill)
Audio  

Realtime Physically Based Sound Synthesis for Games
by Ming Lin (UNC Chapel Hill)
Audio  

Saints Row Multiprocessing Architecture
by Randall Turner (Volition Inc)
Programming  

Scarface: Sound Design and Mixing Using a Post Production Audio Model
by Rob Bridgett (Radical Entertainment)
Audio  

Shared Technology at Rare: Good and Bad
by Tom Grove (Rare Ltd / Microsoft Game Studios)
Programming  

Skinning with Dual Quaternions
by Steven Collins (Trinity College Dublin)
Programming  

Sort-Independent Alpha Blending
by Houman Meshkin (Perpetual Entertainment)
Programming  

Sphere Maps With the Near-equal Solid-angle Property
by Liang Wan  
Programming  

SPORE's Magic Crayons
by Chaim Gingold (levity lab)
Game Design  

Stay on Top of Your Game: Practical Career Advice from an HR Insider
by Fiona Cherbak (VP of Business Development, GameX)
Game Career Seminar  

Tech-Art Driven Shader Pipelines in 3dsmax
by Raymond Stewart (Volition Inc)
Visual Arts  

The Art of Orchestration: Part Deux!
by Sascha Dikiciyan (Sonic Mayhem)
Audio  

The Challenges of Designing First-Person Melee Combat
by Raphael Colantonio (Arkane Studios)
Game Design  

The Creation of SAINTS ROW's Open World Cityscape: Stilwater
by Kenny Thompson (Volition Inc)
Visual Arts  

The Future of Innovative Studios: Team and Tools Behind Alan Wake
by Lasse Seppanen (Remedy Games)
Production  

The Future of Storytelling In Next-Generation Game Development
by Warren Spector (Junction Point Studios)
Game Design  

The Game Studies Download: Top 10 Research Findings
by Mia Consalvo (MIT, Comparative Media Studies)
Game Design  

The Imago Effect: Avatar Psychology
by Harvey Smith (Arkane Studios)
Game Design  

The Importance of Audio In Gaming: Investing in Next Generation Sound
by Sarju Shah (GameSpot)
Audio  

The New Alternate Reality Games
by Adrian Hon (Six to Start)
Game Design  

The New Way of Financing: Maximizing the Value of Your IP Assets
by Andrew Katz (Mitchell Silberberg & Knupp LLP)
Business and Management  

The Secret Garden: Mobile Games and The 4% Addressable Market Who Love Them
by John Szeder (Mofactor)
Vision  

The Square-Enix Approach to Localization
by Richard Mark Honeywood (Square Enix)
Game Design