The Number One Educational Resource for the Game Industry
GDC 2014
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GDC 2014
3D Audio: Back to the Future?
by Brian Schmidt (Ear Games)
Audio
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GDC 2014
Adaptive Music Preparation for Live Recording: A Primer
by Lennie Moore (3l33t Music)
Audio
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GDC 2014
Audio Bootcamp: Audio Design
by Nicky Birch (Somethin' Else)
Audio
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GDC 2014
Audio Bootcamp: Intro/Sound Design
by Garry Taylor (Sony Computer Entertainment Europe)
Audio
GDC 2013
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GDC 2013
AAA Audio Quality in a Mobile Indie Game: Holy Shield Case Study
by Amaury La Burthe (AudioGaming)
Audio
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GDC 2013
An In-Depth Look at the Sound Design Choices and Technical Solutions in ...
by Mikkel Christiansen (IO Interactive)
Audio
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GDC 2013
Assassin's Creed III Music Score: Redefining Musical Standards for the A...
by Benedicte Ouimet (Ubisoft)
Audio
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GDC 2013
Audio Bootcamp: Dynamic Game Factors
by Tomas Neumann (Blizzard Entertainment)
Audio
GDC 2012
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GDC 2012
80,000 Lines, Three Lessons Learned
by Ariel Gross (Volition, Inc.)
Audio
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GDC 2012
Audio Evolution in Social Games: Not Just a 15 Second 60kpbs Loop Anymore!
by Dren McDonald (Loot Drop)
Audio
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GDC 2012
Authoring Soundscapes with User-generated Content and Automatic Audio Cl...
by Jordi Janer (Universitat Pompeu Fabra)
Audio
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GDC 2012
Build That Wall: Creating the Audio for Bastion
by Darren Korb (Supergiant Games)
Audio
GDC 2011
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GDC 2011
Adding Realism to Environmental Reverberation Using Convolution: Are We ...
by Francois Thibault (Audiokinetic Inc.)
Audio
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GDC 2011
Audio Boot Camp
by Scott Selfon (Microsoft)
Audio
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GDC 2011
Audio Boot Camp
by Scott Selfon (Microsoft)
Audio
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GDC 2011
Audio Boot Camp
by Scott Selfon (Microsoft)
Audio
GDC 2010
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GDC 2010
Adaptive Music: The Secret Lies Within Music Itself
by Clint Bajakian (Sony Computer Entertainment Amer)
Audio
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GDC 2010
After the iPhone...What?
by Jeff Essex (Audiosyncrasy)
Audio
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GDC 2010
An Adaptive, Generative Music System for Games
by Jim Hedges (Freelance Composer/Sound Designer)
Audio
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GDC 2010
Audio Boot Camp
by Scott Selfon (Microsoft)
Audio
GDC Austin/Online 2008
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GDC Austin/Online 2008
A Generative, Adaptive Music System for MMO games
by Jim Hedges (Freelance Composer/Sound Designer)
Audio
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GDC Austin/Online 2008
Blazing the Trail for Hot Game Dialog
by Marianne Krawczyk (Monkeyshines Entertainment)
Audio
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GDC Austin/Online 2008
Cocktail Parties, Presence and Compelling NextGen Audio
by Simon Carlile (Personal Audio Pty Ltd)
Audio
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GDC Austin/Online 2008
Creating Foley for Games
by Mark Petty (Gearbox Software)
Audio
GDC 2008
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GDC 2008
26 Slick Tricks for Game Dialog and Other Voiced Bits
by DB Cooper (DB-Cooper.com)
Audio
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GDC 2008
At the Cutting Edge – Audio Production for HEAVENLY SWORD
by Garry Taylor (Sony Computer Entertainment Europe)
Audio
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GDC 2008
Audio for MMO's
by Geoff Scott (Turbine Entertain...)
Audio
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GDC 2008
Audio Post-Mortem: BioShock
by Geoff Scott (Turbine Entertain...)
Audio
GDC 2007
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GDC 2007
Advanced Audio Techniques for Racing Games: Creating Audio for Forza Mot...
by Mike Caviezel (Turn 10 Studios, Microsoft)
Audio
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GDC 2007
Advanced Granular Synthesis for Next Generation Games
by Leonard Paul (Lotus Audio)
Audio
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GDC 2007
Anatomy of an Experimental Game Score
by Garry Schyman (GSP)
Audio
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GDC 2007
Asset Management for Large Game Dialogue Projects
by Ken Kato (Microsoft Game Studios)
Audio
GDC 2006
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GDC 2006
...And Make It Snappy! Crafting Concise, Effective Dialogue for your Game
by Evan Skolnick (Independent)
Audio
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GDC 2006
A Discussion on Story and Music and the Business That Brings Them Together
by Michael Giacchino
Audio
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GDC 2006
A New Vision for Interactive Stories
by Ernest Adams (International Hobo)
Audio
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GDC 2006
Agile Methodology in Game Development: Year 3
by Clinton Keith (Clinton Keith Consulting)
Audio
GDC 2005
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GDC 2005
Adaptive Music Jam
by Guy Whitmore (Microsoft)
Audio
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GDC 2005
Audio Implementation Methodologies
by Marc Schaefgen (The Sound Department, Austin)
Audio
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GDC 2005
Audio Production for Halo 2
by Jay Weinland (Bungie Studios)
Audio
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GDC 2005
Breaking the Mold: Audio Innovation in Downloadable Games
by Michael Sweet (Berklee College of Music)
Audio
GDC 2004
GDC 2003
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GDC 2003
Audio Programming for Very Large Projects
by David Ranyard (Sony Computer Entertainment)
Audio
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GDC 2003
Aural Subjectivity: A Personal Perspective
Audio
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GDC 2003
Composing, Producing and Implementing an Interactive Music Soundtrack fo...
by Chuck Doud
Audio
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GDC 2003
Control Where it Belongs: Latest Generation Audio Development for Xbox
by Scott Selfon (Microsoft)
Audio
