The Number One Educational Resource for the Game Industry
GDC Europe 2014
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GDC Europe 2014
Art Production Learnings: From Console to Browser to Mobile
by Thomas Woode (Gameloft)
Visual Arts
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GDC Europe 2014
Battlefield 4: Creating a More Dynamic Battlefield
by Linnea Harrison (EA DICE)
Visual Arts
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GDC Europe 2014
Designing Monument Valley: Less Game, More Experience
by Ken Wong (ustwo)
Visual Arts
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GDC Europe 2014
Facial Appearance Scanning Using Machine Vision
by Andy Bastable (Rare Ltd.)
Visual Arts
GDC 2014
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GDC 2014
2D Animation at Klei Entertainment
by Jeff Agala (Klei Entertainment)
Visual Arts
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GDC 2014
Animation Bootcamp: An Indie Approach to Procedural Animation
by David Rosen (Wolfire Games)
Visual Arts
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GDC 2014
Animation Bootcamp: Animating Cameras for Games
by Simon Unger (Robotoki)
Visual Arts
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GDC 2014
Animation Bootcamp: Animating the Spy Fantasy in Splinter Cell
by Kristjan Zadziuk (Ubisoft Toronto)
Visual Arts
GDC Europe 2013
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GDC Europe 2013
Broken Age's Approach to Scalability
by Oliver Franzke (Double Fine Productions)
Visual Arts
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GDC Europe 2013
Building Epic Worlds Through the Strengths of Outsourcing
by Chris Mielke (Epic Games, Inc.)
Visual Arts
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GDC Europe 2013
Crafting the World of Crysis
by Felix Leyendecker (Crytek GmbH)
Visual Arts
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GDC Europe 2013
Shining the Light on Crysis 3
by Donzallaz Pierre-Yves (Crytek)
Visual Arts
GDC 2013
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GDC 2013
Animation Bootcamp: Q&A Session
by Tim Borrelli (5th Cell)
Visual Arts
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GDC 2013
Animation Bootcamp: Q&A Session
by Tim Borrelli (5th Cell)
Visual Arts
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GDC 2013
Animation Bootcamp: Q&A Session
by Tim Borrelli (5th Cell)
Visual Arts
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GDC 2013
Animation Bootcamp: Q&A Session
by Tim Borrelli (5th Cell)
Visual Arts
GDC Europe 2012
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GDC Europe 2012
Bringing Home the Bacon- Developing the VFX of "Spec Ops: The Line" as T...
by Florian Zender (Yager Development)
Visual Arts
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GDC Europe 2012
Concept Art Learnings From Game Of Thrones To... Games!
by Tobias Mannewitz (Karakter)
Visual Arts
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GDC Europe 2012
How Breakdancing Taught Me to be a Technical Artist
by Robbert-Jan Brems (Codemasters)
Visual Arts
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GDC Europe 2012
Lighting Design for Level Designers
by Robert Yang (Parsons the New School for Design)
Visual Arts
GDC 2012
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GDC 2012
Asking the Impossible on SSX: Creating 300 Tracks on a Ten-Track Budget
by Caleb Howard (Electronic Arts Canada)
Visual Arts
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GDC 2012
Bringing the Visuals of Gravity Rush to PlayStation Vita
by Yoshiaki Yamaguchi (Sony Computer Entertainment Japan)
Visual Arts
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GDC 2012
Bringing the Visuals of Gravity Rush to PlayStation Vita
by Yoshiaki Yamaguchi (Sony Computer Entertainment Japan)
Visual Arts - Japanese
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GDC 2012
Creating the Flood Effects in Uncharted 3
by Eben Cook (Naughty Dog)
Visual Arts
GDC 2011
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GDC 2011
ALAN WAKE: Light and Dark
by Saku Lehtinen (Remedy Entertainment)
Visual Arts
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GDC 2011
Debugging Python into Maya
by Cyrille Fauvel (AUTODESK)
Visual Arts
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GDC 2011
How Art Was Used to Create a Unique Cinematic Experience in HEAVY RAIN
by Christophe Brusseaux (Quantic Dream)
Visual Arts
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GDC 2011
Lighting You Up in BATTLEFIELD 3
by Kenny Magnusson (DICE)
Visual Arts
GDC 2010
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GDC 2010
A Day In The Life: Creating The Beatles: Rock Band
by Ryan Lesser (Harmonix Music Systems)
Visual Arts
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GDC 2010
Animation Process of God of War III
by Bruno Velazquez (Sony Santa Monica)
Visual Arts
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GDC 2010
Authoring Physically Simulated Destruction with NVIDIA APEX
by Bryan Galdrikian (NVIDIA)
Visual Arts
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GDC 2010
Automated Emotion: Facial Animation in Star Wars: The Old Republic
by Ben Cloward (Bioware)
Visual Arts
GDC Europe 2009
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GDC Europe 2009
A Discussion with Don Daglow
by Don Daglow (Don Daglow Interactive Entertainment)
Visual Arts
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GDC Europe 2009
Creating Visual Identity for Games
by Viktor Antonov (The Building Studios)
Visual Arts
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GDC Europe 2009
Specing out AAA Art Development: Know the Hell You're Getting Into!
by Stefan Baier (Streamline Studios B.V.)
Visual Arts
GDC 2008
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GDC 2008
Art Outsourcing: Client Best Practices
by Paul Steed (Exigent)
Visual Arts
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GDC 2008
Art Outsourcing: Provider Best Practices
by Paul Steed (Exigent)
Visual Arts
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GDC 2008
Autodesk MotionBuilder: Cross Product Integration - Autodesk 3ds Max and...
by Justin Muir (Midway Games)
Visual Arts
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GDC 2008
Autodesk Mudbox: Integration and Use with Autodesk 3ds Max and Autodesk ...
by Louis Marcoux (Autodesk)
Visual Arts
GDC 2007
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GDC 2007
4D in Zero Space: Living Games with Procedural Textures
by Sebastien Deguy (Allegorithmic)
Visual Arts
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GDC 2007
Final Fantasy XII Postmortem
by Taku Murata (Square Enix Co.,Ltd)
Visual Arts
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GDC 2007
Adapting Digital Cinematography Techniques for Game Development
by Jerry O\'Flaherty (Warner Brothers Studio)
Visual Arts
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GDC 2007
Art Department Confidential
by Seth Spaulding (Blizzard Entertainment)
Visual Arts
GDC 2006
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GDC 2006
3ds Max - Complex Data Mapping Production Techniques
by Vincent Brisebois (Autodesk)
Visual Arts
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GDC 2006
3ds Max - Strategies and Techniques for Real-Time Shaders
by Neil Hazzard (Autodesk)
Visual Arts
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GDC 2006
Advanced Tool Writing for Character Technical Directors (TD)
by Judd Simantov (Naughty Dog Inc)
Visual Arts
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GDC 2006
All About Ninety-Nine Nights: Next-Gen Character Design
by Tetsuya Mizuguchi (Q Entertainment)
Visual Arts
GDC 2005
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GDC 2005
Art Content Creation for the Next Generation Unreal Engine
by Pete Hayes
Visual Arts
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GDC 2005
Best Practices for Game Lighting with Maya
by Rob Ormond
Visual Arts
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GDC 2005
Cinema Quality Face Animation Using Bones
by Nicholas Zeman
Visual Arts
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GDC 2005
Concepts & Animating Sam Fisher in Splinter Cell:The Chaos Theory
by Gilles Monteil
Visual Arts
GDC 2004
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GDC 2004
Acting for Animators
by Douglas Conorich
Visual Arts
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GDC 2004
Character Rigger's Cookbook
by Steve Theodore (Undead Labs)
Visual Arts
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GDC 2004
Creating Water and Fluid Effects For Video Games
by Cyrus Peikari
Visual Arts
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GDC 2004
Digital Painting, and The Narrowing Gap between Games and Film
by Paula Moore
Visual Arts
GDC 2003
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GDC 2003
A Review of Current and Future Animation Issues
by Paul Steed
Visual Arts
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GDC 2003
Advanced Techniques in Creating Tile-Based Graphics for GameBoy Advance
by Karthik Bala
Visual Arts
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GDC 2003
Art Directors Panel: Aesthetics and the Almighty Dollar
by Cyrus Lum
Visual Arts
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GDC 2003
Character Rigging and Animation: Parts 1 & 2
by Martin Coven
Visual Arts
GDC 2002
GDC 2001
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GDC 2001
Aesthetics Beyond Techology: Nonphotorealistic Rendering Art Styles
by Gary Snyder (Propaganda Games)
Visual Arts
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GDC 2001
Art Creation for a PlayStation 2 Launch Title - The Ups and Downs of Sum...
by Adam Pletcher (Volition, Inc.)
Visual Arts
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GDC 2001
Character Design, Sketching, and Painting
by Donald Seegmiller
Visual Arts
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GDC 2001
Content Acquisition for Levels in The Getaway: London Wasn`t Built in a Day
by Sam Coates
Visual Arts
