GDC 2018
'Mass Effect Andromeda' Audio Retrospective
by Michael Kent (Bioware)
Audio  

GDC 2018
A Matter of Music Design: Driving Gameplay with Music
by Eric Hamel (Worthing & Moncrieff)
Audio  

GDC 2018
A Modern Take on Historical Fiction: Music for 'Call of Duty WWII'
by Wilbert Roget (Independent)
Audio  

GDC 2018
An Interactive Sound Dystopia: Real-Time Audio Processing in 'NieR:Autom...
by Shuji Kohata (PlatinumGames, Inc.)
Audio  

GDC 2018
Audio Asset Management Tips and Tricks
by Richard Ludlow (Hexany Audio)
Audio  

GDC 2018
Audio Bootcamp XVII: "Programming Composers and Composing Programmers" &...
by Gina Zdanowicz (Serial Lab Studios)
Audio  

GDC 2018
Audio Bootcamp XVII: "Programming Composers and Composing Programmers" &...
by Gina Zdanowicz (Serial Lab Studios)
Audio  

GDC 2018
Audio Bootcamp XVII: 5D Audio
by Aaron Brown (Aaron Brown Sound)
Audio  

GDC 2018
Audio Bootcamp XVII: Zen and the Art of Game Audio Maintenance
by Anton Woldhek (Guerrilla Games)
Audio  

GDC 2018
Audio Bootcamp XVII: Zen and the Art of Game Audio Maintenance
by Anton Woldhek (Guerrilla Games)
Audio  

GDC 2018
Audio Propagation Through the Ears of VERA
by Jeff Ballard (Microsoft)
Audio  

GDC 2018
Composing an Interactive Musical: Lessons Learned from Creating 'Figment'
by Niels Sorensen (Bedtime Digital Games)
Audio  

GDC 2018
Creating Console Quality Audio on Mobile: 'Club Penguin Island'
by Toby Hulse (The Walt Disney Company)
Audio  

GDC 2018
Don'ts: How NOT to Work in Game Audio
by Ryan Ike (Independent)
Audio  

GDC 2018
Giving a Voice to the Machines of 'Horizon Zero Dawn'
by Pinar Temiz (Guerrilla Games)
Audio  

GDC 2018
Scoring 'Middle-earth: Shadow of War': A Postmortem
by Garry Schyman (Garry Schyman Productions)
Audio