The Number One Educational Resource for the Game Industry
Game Developers Conference 2024
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Game Developers Conference 2024
Audio Summit: Audio QA: Getting Useful Feedback on Your Audio Work
by Renaud Barne (Demute)
Audio Summit
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Game Developers Conference 2024
Audio Summit: Challenges and Opportunities in Designing and Developing A...
by Jorge Garcia (Electronic Arts)
Audio Summit
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Game Developers Conference 2024
Audio Summit: From AAA to Indie Audio Teams: Remaining Flexible is the Key
by Brigitte Dajczer (Music Salad Studio Inc.)
Audio Summit
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Game Developers Conference 2024
Audio Summit: How Do You Make Casual Games' Players Turn Their Audio On?
by Dominique Devoucoux (King)
Audio Summit
Game Developers Conference 2023
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Game Developers Conference 2023
'Dark Pictures: Season 1': 4 games in 4 years: Audio Systems for Narrati...
by Barney Pratt (Supermassive Games)
Audio
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Game Developers Conference 2023
Audio Summit: An Important Conversation About Conversations
by Maize Wallin (Ghost Pattern)
Audio Summit
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Game Developers Conference 2023
Audio Summit: Building Audio Careers, Together
by ZW Buckley (Plant Based Audio)
Audio Summit
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Game Developers Conference 2023
Audio Summit: Embracing Audio Technology for Enhanced Creativity
by Paolo Armao (34BigThings)
Audio Summit
Game Developers Conference 2022
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Game Developers Conference 2022
Building a Game Audio Community in Latin America Roundtable
by Maria Jazmin Giolito (Game Audio Latam & Independent)
Audio
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Game Developers Conference 2022
Recording Art and Engineering Practice: Social Network with Musical Inst...
by Zechen Xu (NetEase)
Audio
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Game Developers Conference 2022
Refreshing 'Guild Wars 2' with the Traditional Music of Korea
by Maclaine Diemer (First Name Maclaine, LLC)
Audio
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Game Developers Conference 2022
The Soundscapes of Yara: Audio Innovation and Representation in 'Far Cry 6'
by Eduardo Vaisman (Ubisoft Toronto)
Audio
Game Developers Conference 2021
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Game Developers Conference 2021
Audio Futures: Technologies for Games
by Scott Selfon (Facebook Reality Labs)
Audio
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Game Developers Conference 2021
Audio Summit: Behind the Scenes of the Audio in 'Say No! More'
by Julie Buchanan (Freelance)
Audio Summit
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Game Developers Conference 2021
Audio Summit: Voice Games: Past, Present and Future
by Jeferson Valadares (Doppio)
Audio Summit
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Game Developers Conference 2021
Audio Summit: VR Audio Adaptation of Third Person Gameplay
by Kristian Rmer (IO Interactive)
Audio Summit
Summer 2020
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Summer 2020
A Bloody Symphony of Characters: Music and Leitmotiv in 'Mortal Kombat 11'
by Wilbert Roget (Independent)
Audio
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Summer 2020
Hear Me Feel Me Let Me Play: Lessons from 'Unscramble the Oracle' a BOSE...
by Nicole Lazzaro (XEODesign, Inc.)
Audio
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Summer 2020
The Audio Technology of 'Torchlight 3' Part 2
by Guy Somberg (Echtra Games, Inc.)
Audio
GDC 2020
2019
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2019
'Life is Strange': Music in a Narrative Driven Game
by Raoul Barbet (Dontnod Entertainment / Capsule Animation Studio)
Audio
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2019
'Moss': Design Before Sound
by Stephen Hodde (Polyarc)
Audio
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2019
Adapting Linear Audio Techniques to Improve Voyeurism and Emotional Enga...
by Barney Pratt (Supermassive Games, Ltd.)
Audio
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2019
Add, Fix, and Mix: Audio for Live Games 'Killing Floor 2' and 'Rising St...
by Mark Muraski (Tripwire Interactive)
Audio
GDC 2018
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GDC 2018
'Mass Effect Andromeda' Audio Retrospective
by Michael Kent (Bioware)
Audio
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GDC 2018
A Matter of Music Design: Driving Gameplay with Music
by Eric Hamel (Worthing & Moncrieff)
Audio
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GDC 2018
A Modern Take on Historical Fiction: Music for 'Call of Duty WWII'
by Wilbert Roget (Independent)
Audio
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GDC 2018
An Interactive Sound Dystopia: Real-Time Audio Processing in 'NieR:Autom...
by Shuji Kohata (PlatinumGames, Inc.)
Audio
GDC 2017
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GDC 2017
'DriveClub' Audio: From Console to VR
by Nicholas Ward-Foxton (Sony Interactive Entertainment)
Audio
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GDC 2017
'Gears of War 4', Project Triton: Pre-Computed Environmental Wave Acoustics
by Nikunj Raghuvanshi (Microsoft Research)
Audio
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GDC 2017
Assisting VR Gameplay Through the Use of Iconographic Music
by Kenneth Young (AudBod)
Audio
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GDC 2017
Audio Bootcamp XVI: "Audio Tech 101" & "Interactive Music Approaches"
by Tomas Neumann (Blizzard Entertainment)
Audio
GDC 2016
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GDC 2016
'Ori and the Blind Forest': Sonic Polish Through Distributed Development
by Gareth Coker (Gareth Coker Music)
Audio
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GDC 2016
Angry Birds 2 - Next Gen Audio in Only 10 Megabytes
by Jonatan Crafoord (The Brain)
Audio
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GDC 2016
Audio Bootcamp: Beyond Middleware: Thinking Like a Programmer
by Ben Houge (Berklee College of Music)
Audio
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GDC 2016
Audio for AAA Virtual Reality Experiences
by Simon Gumbleton (Sony Computer Entertainment Europe)
Audio
GDC 2015
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GDC 2015
All Style, All Substance: The Audio Journey of the Vanity and Traversal ...
by Kristen Quebe (Microsoft)
Audio
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GDC 2015
Audio Bootcamp : Advanced Composition Techniques for Adaptive Systems
by Winifred Phillips (Generations Productions LLC)
Audio
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GDC 2015
Audio Bootcamp : Audio Gigs: How to Find, Get, and Keep them Coming
by Richard Ludlow (Hexany Audio)
Audio
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GDC 2015
Audio Bootcamp : Dialogue 101
by Michael Csurics (The Brightskull Entertainment Group)
Audio
GDC 2014
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GDC 2014
Adaptive Music Preparation for Live Recording: A Primer
by Lennie Moore (3l33t Music)
Audio
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GDC 2014
Audio Bootcamp: Audio Design
by Nicky Birch (Somethin' Else)
Audio
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GDC 2014
Audio Bootcamp: Small Team Game Development
by Dren McDonald (nerdtracks.com)
Audio
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GDC 2014
Audio Bootcamp: Small Team Game Development
by Dren McDonald (nerdtracks.com)
Audio
GDC 2013
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GDC 2013
Assassin's Creed III Music Score: Redefining Musical Standards for the A...
by Benedicte Ouimet (Ubisoft)
Audio
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GDC 2013
Audio Bootcamp: Audio Development In Live Service: Assembly Line Thinking
by Mo Jen (Playfish UK)
Audio
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GDC 2013
Audio Bootcamp: For the Love of Spreadsheets: Sound Designs Secret Weapon
by Damian Kastbauer (Lost Chocolate Lab)
Audio
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GDC 2013
Audio Bootcamp: Loudness and How to Measure It
by Garry Taylor (Sony Europe)
Audio
GDC 2012
GDC China 2011
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GDC China 2011
Global Reach and Local Limits, Paul's Personal Truths about Online Game...
by Paul Barnett (Mythic Entertainment)
Audio
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GDC China 2011
Products Development Strategy of Indie Studios
by Dongxu He (Gamegou)
Audio
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GDC China 2011
Products Development Strategy of Indie Studios
by Dongxu He (Gamegou)
Audio - Chinese
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GDC China 2011
The Business (and Importance!) of Game Audio
by Hitoshi Sakimoto (Basiscape International Co., Ltd.)
Audio - Chinese
GDC 2011
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GDC 2011
Adding Realism to Environmental Reverberation Using Convolution: Are We ...
by Francois Thibault (Audiokinetic Inc.)
Audio
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GDC 2011
Atmospheric Audio in GOD OF WAR 3
by Joanna Orland (Sony Computer Entertainment Europe)
Audio
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GDC 2011
Audio Boot Camp
by Scott Selfon (Microsoft)
Audio
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GDC 2011
Audio Boot Camp
by Scott Selfon (Microsoft)
Audio
GDC 2010
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GDC 2010
Adaptive Music: The Secret Lies Within Music Itself
by Clint Bajakian (Sony Computer Entertainment Amer)
Audio
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GDC 2010
Adaptive Music: The Secret Lies Within Music Itself
by Clint Bajakian (Sony Computer Entertainment Amer)
Audio
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GDC 2010
Adaptive Music: The Secret Lies Within Music Itself
by Clint Bajakian (Sony Computer Entertainment Amer)
Audio
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GDC 2010
Adaptive Music: The Secret Lies Within Music Itself
by Clint Bajakian (Sony Computer Entertainment Amer)
Audio
GDC China 2009
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GDC China 2009
Designing Sound for Games in China
by Jie Yang (Virtuos)
Audio
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GDC China 2009
Designing Sound for Games in China
by Jie Yang (Virtuos)
Audio
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GDC China 2009
Dubbing Design and Setting Up the Auditory Atmosphere in Games
by Meng Peng (Composer)
Audio
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GDC China 2009
Dubbing Design and Setting Up the Auditory Atmosphere in Games
by Meng Peng (Composer)
Audio
GDC Austin/Online 2009
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GDC Austin/Online 2009
Audio Shorts
by Clark Crawford (The Harten Center for Underprivileged Sounds, LLC)
Game Audio Summit
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GDC Austin/Online 2009
Audio Shorts
by Clark Crawford (The Harten Center for Underprivileged Sounds, LLC)
Game Audio Summit
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GDC Austin/Online 2009
Audio Shorts
by Clark Crawford (The Harten Center for Underprivileged Sounds, LLC)
Game Audio Summit
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GDC Austin/Online 2009
Dynamic Range and Mix Levels: Where We're At In 2009
by Tom Hays (Technicolor Interactive)
Game Audio Summit
GDC 2009
GDC Austin/Online 2008
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GDC Austin/Online 2008
A Generative, Adaptive Music System for MMO games
by Jim Hedges (Freelance Composer/Sound Designer)
Audio
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GDC Austin/Online 2008
Blazing the Trail for Hot Game Dialog
by Marianne Krawczyk (Monkeyshines Entertainment)
Audio
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GDC Austin/Online 2008
Creating Foley for Games
by Mark Petty (Gearbox Software)
Audio
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GDC Austin/Online 2008
Neural-THX Surround: Serious Surround Sound for the Multi-Channel Gamer
by Mark Tuffy (Interactive Media, DTS, Inc.)
Audio
GDC 2008
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GDC 2008
Automatic Audio in Frostbite
by Stefan Strandberg (Digital Illusions CE AB)
Audio
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GDC 2008
Better Tools for Sound Designers on PlayStation 3 Through Open-Architect...
by Michael Kelly (Sony Computer Entertain... Europe)
Audio
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GDC 2008
Composer Challenge GDC 2008
by Lennie Moore (3l33t Music)
Audio
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GDC 2008
Composer Challenge GDC 2008
by Lennie Moore (3l33t Music)
Audio
GDC 2007
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GDC 2007
(205) Large-scale Engineering for Online and Offline Games
by Neil Kirby (Alcatel-Lucent)
Audio
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GDC 2007
(206) Autodesk 3ds Max 9: Advanced Techniques for Next-gen Pipelines
by Neil Kirby (Alcatel-Lucent)
Audio
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GDC 2007
(Canceled) Best Practices to Help You Take Control of Your Game Development
by Grady Booch (IBM)
Audio
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GDC 2007
Advanced Audio Techniques for Racing Games: Creating Audio for Forza Mot...
by Mike Caviezel (Turn 10 Studios, Microsoft)
Audio
GDC 2006
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GDC 2006
60-Minute MBA
by Scott Corley (Red Mercury, LLC)
Audio
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GDC 2006
...And Make It Snappy! Crafting Concise, Effective Dialogue for your Game
by Evan Skolnick (Independent)
Audio
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GDC 2006
Agile Methodology in Game Development: Year 3
by Clinton Keith (Clinton Keith Consulting)
Audio
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GDC 2006
Backwards Is Forward: Making Better Games with Test-Driven Development
by Noel Llopis (Snappy Touch)
Audio
GDC 2004
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GDC 2004
The Hobbit : A Case Study
by Christopher Michael
Audio
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GDC 2004
Audio Asset Management for Large Projects
by David Chan (Hinterland Studios)
Audio
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GDC 2004
Cross-Platform Audio Using Interactive XMF
by Jessica Bayliss
Audio
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GDC 2004
Producing Orchestral Scores for Games
by John O'Leary
Audio
