Game Developers Conference 2024
'3DHaptics' Practical Design Method: Insights from Sound and UX/UI Exper...
by Masatoshi Miyakawa (Miraisens, Inc.)
Audio  

Game Developers Conference 2024
'Baldur's Gate 3': A Fireside Chat (Presented by Dolby Laboratories)
by Stefan Randelshofer (Larian Studios)
Audio  

Game Developers Conference 2024
'Destiny 2': Weaving Music Between Activities and the Open World
by Pete Kugler (Bungie)
Audio  

Game Developers Conference 2024
'Diablo IV': Audio Systems Deep Dive "Living Audio"
by Kris Giampa (Blizzard Entertainment)
Audio  

Game Developers Conference 2023
'Dark Pictures: Season 1': 4 games in 4 years: Audio Systems for Narrati...
by Barney Pratt (Supermassive Games)
Audio  

Game Developers Conference 2023
'Gotham Knights': Using Systemic Audio Tools to Build a Vibrant Gotham City
by Dustin Reid (WB Games Montreal)
Audio  

Game Developers Conference 2023
'LEVEL UP YOUR GAME': Access 200M Gamers with Razer Chroma RGB and Inter...
by Quyen Quach (Razer)
Audio  

Game Developers Conference 2023
'Moss: Book II': Toward Powerful and Authentic Voice Performance
by Stephen Hodde (Polyarc)
Audio  

Game Developers Conference 2022
'Unpacking': The Fun Behind the Foley
by Jeff van Dyck (Witch Beam)
Audio  

Game Developers Conference 2022
An Epic Journey through the Audio Universe that is 'Marvel's Guardians o...
by Steve Szczepkowski (Eidos Montreal)
Audio  

Game Developers Conference 2022
An Insider's Guide to Games Audio: 5 Cheat Codes for Easier VO (Presente...
by Jessica Kent (SIDE)
Audio  

Game Developers Conference 2022
Audio Summit: Actively Building Trust: Creating the Voices of 'We Are OFK'
by Khris Brown (Vox Point LLC)
Audio Summit  

Game Developers Conference 2021
Audio Futures: Technologies for Games
by Scott Selfon (Facebook Reality Labs)
Audio  

Game Developers Conference 2021
Audio Summit: 'Genesis Noir': Bringing Jazz Improvisation To Gaming
by Jeremy Abel (Feral Cat Den)
Audio Summit  

Game Developers Conference 2021
Audio Summit: Behind the Scenes of the Audio in 'Say No! More'
by Julie Buchanan (Freelance)
Audio Summit  

Game Developers Conference 2021
Audio Summit: DIY Musical Instruments Using Unity, Wwise and Game Contro...
by Ressa Schwarzwald (TinyBuild)
Audio Summit  

Showcase 2021
'Homefront' to 'God of War': Using Music to Build Suspense
by Winifred Phillips (Generations Productions LLC)
Audio  

Summer 2020
'Erica': How and How Not to Score a Film-Game Hybrid
by Austin Wintory (Wintory Global Engineering)
Audio  

Summer 2020
A Bloody Symphony of Characters: Music and Leitmotiv in 'Mortal Kombat 11'
by Wilbert Roget (Independent)
Audio  

Summer 2020
Ask Me Anything: Composer Q&A with Winifred Phillips
by Winifred Phillips (Generations Productions LLC)
Audio  

Summer 2020
Hear Me Feel Me Let Me Play: Lessons from 'Unscramble the Oracle' a BOSE...
by Nicole Lazzaro (XEODesign, Inc.)
Audio  

GDC 2020
'A Plague Tale' Audio Design: Not Only Squeaks
by Aurelien Piters (Asobo Studio)
Audio  

GDC 2020
Finding Space For Sound: Environmental Acoustics in 'Tom Clancy's The Di...
by Robert Bantin (Massive Entertainment - a Ubisoft Studio)
Audio  

GDC 2020
From 'Assassin's Creed' to 'The Dark Eye': The Importance of Themes
by Winifred Phillips (Generations Productions LLC)
Audio  

GDC 2020
From 'Assassin's Creed' to 'The Dark Eye': The Importance of Themes
by Winifred Phillips (Generations Productions LLC)
Audio  

2019
'Battlefield V' AI Dialogue
by Simon Lindskog (EA DICE)
Audio  

2019
'Life is Strange': Music in a Narrative Driven Game
by Raoul Barbet (Dontnod Entertainment / Capsule Animation Studio)
Audio  

2019
'Moss': Design Before Sound
by Stephen Hodde (Polyarc)
Audio  

2019
'Torn': Music Inside a Virtual Movie
by Garry Schyman (Independent)
Audio  

GDC 2018
'ARK Survival Evolved': Early Access Composing and Its Unique Issues
by Gareth Coker (Independent)
Audio  

GDC 2018
'Destiny 2': Linear Music in an Open World
by Skye Lewin (Bungie)
Audio  

GDC 2018
'Mass Effect Andromeda' Audio Retrospective
by Michael Kent (Bioware)
Audio  

GDC 2018
A Matter of Music Design: Driving Gameplay with Music
by Eric Hamel (Worthing & Moncrieff)
Audio  

GDC 2017
'DOOM': Behind the Music
by Mick Gordon (Game Audio Australia)
Audio  

GDC 2017
'DriveClub' Audio: From Console to VR
by Nicholas Ward-Foxton (Sony Interactive Entertainment)
Audio  

GDC 2017
'Gears of War 4', Project Triton: Pre-Computed Environmental Wave Acoustics
by Nikunj Raghuvanshi (Microsoft Research)
Audio  

GDC 2017
'Headlander': Discovering Modern Methods in Sound via 70's Sci-Fi
by David Earl (David Earl Productions)
Audio  

GDC 2016
'Ori and the Blind Forest': Sonic Polish Through Distributed Development
by Gareth Coker (Gareth Coker Music)
Audio  

GDC 2016
A Game That Listens - The Audio of INSIDE
by Martin Stig Andersen (Independent)
Audio  

GDC 2016
AAA Virtual Orchestration on an Indie Budget
by Wilbert Roget (RogetMusic)
Audio  

GDC 2016
Anatomy of Great Voice-Over: A Casting & Recording Primer
by Andrea Toyias (Blizzard Entertainment)
Audio  

GDC 2015
All Style, All Substance: The Audio Journey of the Vanity and Traversal ...
by Kristen Quebe (Microsoft)
Audio  

GDC 2015
Audio Bootcamp : Advanced Composition Techniques for Adaptive Systems
by Winifred Phillips (Generations Productions LLC)
Audio  

GDC 2015
Audio Bootcamp : Audio Gigs: How to Find, Get, and Keep them Coming
by Richard Ludlow (Hexany Audio)
Audio  

GDC 2015
Audio Bootcamp : Dialogue 101
by Michael Csurics (The Brightskull Entertainment Group)
Audio  

GDC 2014
3D Audio: Back to the Future?
by Brian Schmidt (Ear Games)
Audio  

GDC 2014
3D Audio: Back to the Future?
by Brian Schmidt (Ear Games)
Audio  

GDC 2014
Adaptive Music Preparation for Live Recording: A Primer
by Lennie Moore (3l33t Music)
Audio  

GDC 2014
Adaptive Music Preparation for Live Recording: A Primer
by Lennie Moore (3l33t Music)
Audio  

GDC 2013
AAA Audio Quality in a Mobile Indie Game: Holy Shield Case Study
by Amaury La Burthe (AudioGaming)
Audio  

GDC 2013
AAA Audio Quality in a Mobile Indie Game: Holy Shield Case Study
by Amaury La Burthe (AudioGaming)
Audio  

GDC 2013
An In-Depth Look at the Sound Design Choices and Technical Solutions in ...
by Mikkel Christiansen (IO Interactive)
Audio  

GDC 2013
An In-Depth Look at the Sound Design Choices and Technical Solutions in ...
by Mikkel Christiansen (IO Interactive)
Audio  

GDC 2012
80,000 Lines, Three Lessons Learned
by Ariel Gross (Volition, Inc.)
Audio  

GDC 2012
80,000 Lines, Three Lessons Learned
by Ariel Gross (Volition, Inc.)
Audio  

GDC 2012
Audio Evolution in Social Games: Not Just a 15 Second 60kpbs Loop Anymore!
by Dren McDonald (Loot Drop)
Audio  

GDC 2012
Audio Evolution in Social Games: Not Just a 15 Second 60kpbs Loop Anymore!
by Dren McDonald (Loot Drop)
Audio  

GDC China 2011
Global Reach and Local Limits, Paul's Personal Truths about Online Game...
by Paul Barnett (Mythic Entertainment)
Audio - Chinese

GDC China 2011
Global Reach and Local Limits, Paul's Personal Truths about Online Game...
by Paul Barnett (Mythic Entertainment)
Audio  

GDC China 2011
Products Development Strategy of Indie Studios
by Dongxu He (Gamegou)
Audio - Chinese

GDC China 2011
Products Development Strategy of Indie Studios
by Dongxu He (Gamegou)
Audio  

GDC 2011
Adding Realism to Environmental Reverberation Using Convolution: Are We ...
by Francois Thibault (Audiokinetic Inc.)
Audio  

GDC 2011
Audio Boot Camp
by Scott Selfon (Microsoft)
Audio  

GDC 2011
Audio Boot Camp
by Scott Selfon (Microsoft)
Audio  

GDC 2011
Audio Boot Camp
by Scott Selfon (Microsoft)
Audio  

GDC 2010
Adaptive Music: The Secret Lies Within Music Itself
by Clint Bajakian (Sony Computer Entertainment Amer)
Audio  

GDC 2010
After the iPhone...What?
by Jeff Essex (Audiosyncrasy)
Audio  

GDC 2010
An Adaptive, Generative Music System for Games
by Jim Hedges (Freelance Composer/Sound Designer)
Audio  

GDC 2010
Audio Boot Camp
by Scott Selfon (Microsoft)
Audio  

GDC 2009
Audio Adventures on the PS3 - SOCOM Confrontation - Online Audio for 32 ...
by Ken Felton (SCEA)
Audio  

GDC 2009
Bringing Ambience To The Foreground: Enhancing Emotion Through Ambient S...
by Joanna Orland (Sony Computer Entertainment Europe)
Audio  

GDC 2009
Doing Business In The Game Music Industry In Japan 101
by Norihiko Hibino (GEM Impact, Inc.)
Audio  

GDC 2009
Everything Old is New Again: Using Musical Style to Enhance Storytelling
by Lennie Moore (3l33t Music)
Audio  

GDC Austin/Online 2008
A Generative, Adaptive Music System for MMO games
by Jim Hedges (Freelance Composer/Sound Designer)
Audio  

GDC Austin/Online 2008
Blazing the Trail for Hot Game Dialog
by Marianne Krawczyk (Monkeyshines Entertainment)
Audio  

GDC Austin/Online 2008
Cocktail Parties, Presence and Compelling NextGen Audio
by Simon Carlile (Personal Audio Pty Ltd)
Audio  

GDC Austin/Online 2008
Creating Foley for Games
by Mark Petty (Gearbox Software)
Audio  

GDC 2008
10th Annual Independent Games Festival Awards

Audio  

GDC 2008
26 Slick Tricks for Game Dialog and Other Voiced Bits
by DB Cooper (DB-Cooper.com)
Audio  

GDC 2008
At the Cutting Edge – Audio Production for HEAVENLY SWORD
by Garry Taylor (Sony Computer Entertainment Europe)
Audio  

GDC 2008
Audio for MMO's
by Geoff Scott (Turbine Entertain...)
Audio  

GDC 2007
Advanced Audio Techniques for Racing Games: Creating Audio for Forza Mot...
by Mike Caviezel (Turn 10 Studios, Microsoft)
Audio  

GDC 2007
Advanced Granular Synthesis for Next Generation Games
by Leonard Paul (Lotus Audio)
Audio  

GDC 2007
Anatomy of an Experimental Game Score
by Garry Schyman (GSP)
Audio  

GDC 2007
Asset Management for Large Game Dialogue Projects
by Ken Kato (Microsoft Game Studios)
Audio  

GDC 2006
...And Make It Snappy! Crafting Concise, Effective Dialogue for your Game
by Evan Skolnick (Independent)
Audio  

GDC 2006
A Discussion on Story and Music and the Business That Brings Them Together
by Michael Giacchino  
Audio  

GDC 2006
A New Vision for Interactive Stories
by Ernest Adams (International Hobo)
Audio  

GDC 2006
Agile Methodology in Game Development: Year 3
by Clinton Keith (Clinton Keith Consulting)
Audio  

GDC 2005
Adaptive Music Jam
by Guy Whitmore (Microsoft)
Audio  

GDC 2005
Audio Implementation Methodologies
by Marc Schaefgen (The Sound Department, Austin)
Audio  

GDC 2005
Audio Production for Halo 2
by Jay Weinland (Bungie Studios)
Audio  

GDC 2005
Breaking the Mold: Audio Innovation in Downloadable Games
by Michael Sweet (Berklee College of Music)
Audio  

GDC 2004
The Hobbit : A Case Study
by Christopher Michael  
Audio  

GDC 2004
Audio Asset Management for Large Projects
by David Chan (Hinterland Studios)
Audio  

GDC 2004
Audio Director to the Rescue
by Andrew Boyd  
Audio  

GDC 2004
Audio for Mobile Panel
by James Doyle  
Audio  

GDC 2003
Audio Programming for Very Large Projects
by David Ranyard (Sony Computer Entertainment)
Audio  

GDC 2003
Aural Subjectivity: A Personal Perspective

Audio  

GDC 2003
Composing, Producing and Implementing an Interactive Music Soundtrack fo...
by Chuck Doud  
Audio  

GDC 2003
Control Where it Belongs: Latest Generation Audio Development for Xbox
by Scott Selfon (Microsoft)
Audio  

GDC 2002
2002 GDC Choice Awards
by Scott Selfon (Microsoft)
Audio  

GDC 2002
Afterthoughts: Audio of Rogue Leader

Audio  

GDC 2002
American Mc Gee's Alice - a Postmortem: Lessons Learned
by American McGee (Spicy Horse)
Audio  

GDC 2002
Console Audio Panel

Audio  

GDC 2001
Design Patterns for Massively Multiplayer Environments
by Rich Vogel  
Audio  

GDC 2001
Real-Time Photorealism via Procedural Shaders
by Dan Baker (Firaxis)
Audio  

GDC 2001
Web Audio Panel
by Jeff Essex (Audiosyncrasy)
Audio  

GDC 2001
Will Games Ever Become a Legitimate Art Form?
by Jacob Stephens  
Audio  

GDC 1998
"Holy Foley, Batman!"
by Jacob Stephens  
Audio  

GDC 1997
Listen! The Potential of Shared Hallucinations
by Brian Moriarty (Worcester Polytechnic Institute)
Audio  

GDC 1997
Music on Computers: A 5-Year Projection from the "Project Bar-B-Q" Think...
by George Sanger (The Fat Man)
Audio