The Number One Educational Resource for the Game Industry
Game Developers Conference 2024
-
Game Developers Conference 2024
3D Toon Rendering in 'Hi-Fi RUSH'
by Kosuke Tanaka (Tango Gameworks)
Visual Arts
-
Game Developers Conference 2024
Animation Summit: Make a Choice: Performance Direction in 'Baldur's Gate 3'
by Greg Lidstone (Larian Studios)
Animation Summit
-
Game Developers Conference 2024
Art Direction Summit: The Synergy of Architecture and Structural Enginee...
by Joshua Haun (Activision)
Art Direction Summit
-
Game Developers Conference 2024
Building a User and Developer Friendly Cross-DCC Animation Pipeline
by Fleming Lin (LIGHTSPEED STUDIOS)
Visual Arts
Game Developers Conference 2023
-
Game Developers Conference 2023
Advanced Graphics Summit: Open-World Water Rendering and Real-Time Simul...
by Zhenyu Mao (LIGHTSPEED STUDIOS)
Advanced Graphics Summit
-
Game Developers Conference 2023
Advanced Graphics Summit: Realistic Real-Time Sky Dome Rendering in 'Gra...
by Kentaro Suzuki (Polyphony Digital Inc.)
Advanced Graphics Summit
-
Game Developers Conference 2023
Advanced Graphics Summit: Reinventing the Wheel for Snow Rendering
by Paolo Surricchio (Santa Monica Studio)
Advanced Graphics Summit
-
Game Developers Conference 2023
Art Direction Summit: Artist vs. Manager
by Kacper Niepoklczycki (CD PROJEKT RED)
Art Direction Summit
Game Developers Conference 2022
-
Game Developers Conference 2022
'Naraka Bladepoint': Build a Popular Face Customization System
by Sisi Yuan (Netease, Inc.)
Visual Arts
-
Game Developers Conference 2022
Advanced Graphics Summit: Advanced Weather System for Mobile Game: 'Dark...
by Ka Ming Chan (MoreFun Studios of Tencent Games)
Advanced Graphics Summit
-
Game Developers Conference 2022
Advanced Graphics Summit: Designing the Terrain System of 'Flight Simula...
by Lionel Fuentes (Asobo Studio)
Advanced Graphics Summit
-
Game Developers Conference 2022
Advanced Graphics Summit: New Graphics Features for 'Forspoken'
by Keiji Matsuda (Luminous Productions Co., Ltd.)
Advanced Graphics Summit
Game Developers Conference 2021
-
Game Developers Conference 2021
'Genshin Impact': Crafting an Anime Style Open World
by Keiji Matsuda (Luminous Productions Co., Ltd.)
Advanced Graphics Summit
-
Game Developers Conference 2021
'Genshin Impact': Crafting an Anime Style Open World
by Keiji Matsuda (Luminous Productions Co., Ltd.)
Advanced Graphics Summit
-
Game Developers Conference 2021
Advanced Graphics Summit: Lifting the Fog: Geometry & Lighting in 'Demon...
by Bruce Woodard (Bluepoint Games)
Advanced Graphics Summit
-
Game Developers Conference 2021
Advanced Graphics Summit: Procedural Grass in 'Ghost of Tsushima'
by Eric Wohllaib (Sucker Punch Productions)
Advanced Graphics Summit
Summer 2020
-
Summer 2020
Adaptive Placement of Dynamic Lighting Probes: Taking Full Advantage of ...
by Diego Garzon (Microsoft)
Visual Arts
-
Summer 2020
Art of 'Sky: Children of the Light'
by Yuichiro Tanabe (ThatGameCompany)
Visual Arts
-
Summer 2020
Inspiring 249 Million Strangers: Art Direction for a Global Audience
by Riana McKeith (King)
Visual Arts
-
Summer 2020
Resurrecting Dan: The Art of MediEvil PS4
by Norm Badillo (OtherOcean)
Visual Arts
GDC 2020
2019
-
2019
'Marvel's Spider-Man': Procedural Lighting Tools
by Xray Halperin (Insomniac Games)
Visual Arts
-
2019
(Super)Humans of New York: Managing the Many Faces in 'Marvel's Spider-Man'
by Noah Alzayer (Insomniac Games)
Visual Arts
-
2019
Animation Bootcamp: Animating the Main Villain in 'Marvel's Spider-Man' ...
by Sol Brennan (Insomniac Games)
Visual Arts
-
2019
Animation Bootcamp: Animation Tricks of the Trade
by Melissa Shim (Sony Santa Monica Studio)
Visual Arts
GDC 2018
-
GDC 2018
A Practical Approach to Developing Forward-Facing Rigs, Tools and Pipelines
by Michael Malinowski (Creative Assembly)
Visual Arts
-
GDC 2018
Animating Quill: Creating an Emotional Experience
by Richard Lico (Polyarc)
Visual Arts
-
GDC 2018
Animation Bootcamp: Animation Leadership: Teaching Your Team to Fish
by Nick Chilano (Blizzard Entertainment)
Visual Arts
-
GDC 2018
Applying AAA Techniques on Mobile Games: Understanding Flow Maps and Its...
by Shaoyong "Abel" Zhang (NetEase Games)
Visual Arts
GDC 2017
-
GDC 2017
'Agents of Mayhem': Physically-Based Materials in a Stylized Open World
by James Taylor (DS Volition)
Visual Arts
-
GDC 2017
'Ghost Recon Wildlands': Terrain Tools and Technology
by Guillaume Werle (Ubisoft)
Visual Arts
-
GDC 2017
'League of Legends' Client Update: Art Directing a Consistent and Scalab...
by Laura DeYoung (Riot Games)
Visual Arts
-
GDC 2017
Achieving High-Quality, Low-Cost Skin: An Environment Approach
by Adelle Bueno (Square Enix)
Visual Arts
GDC 2016
-
GDC 2016
'Fallout 4's' Modular Level Design
by Joel Burgess (Bethesda Game Studios)
Visual Arts
-
GDC 2016
An Architect's Guide to Creating Expressive Game Environments
by Claris Cyarron (Silverstring Media)
Visual Arts
-
GDC 2016
An End-to-End Approach to Physically Based Rendering
by Wes McDermott (ALLEGORITHMIC)
Visual Arts
-
GDC 2016
Animating With Math
by Natalie Burke (Limitless Ltd.)
Visual Arts
GDC 2015
-
GDC 2015
Advanced Visual Effects for 2D Games
by Viktor Lidholt (Apportable)
Visual Arts
-
GDC 2015
Advanced Visual Effects With DirectX 11 & 12: Advancements in Tile-based...
by Gareth Thomas (AMD)
Visual Arts
-
GDC 2015
Advanced Visual Effects With DirectX 11 & 12: Sparse Fluid Simulation an...
by Jon Story (NVIDIA)
Visual Arts
-
GDC 2015
Advanced Visual Effects With DirectX 11 & 12: Sparse Fluid Simulation an...
by Jon Story (NVIDIA)
Visual Arts
GDC Europe 2014
-
GDC Europe 2014
Battlefield 4: Creating a More Dynamic Battlefield
by Linnea Harrison (EA DICE)
Visual Arts
-
GDC Europe 2014
Facial Appearance Scanning Using Machine Vision
by Andy Bastable (Rare Ltd.)
Visual Arts
-
GDC Europe 2014
The Unusual Rendering Pipeline of Sigils - Battle for Raios
by Dietmar Hauser (Sproing Interactive Media GmbH)
Visual Arts
GDC 2014
-
GDC 2014
2D Animation at Klei Entertainment
by Jeff Agala (Klei Entertainment)
Visual Arts
-
GDC 2014
Animation Bootcamp: An Indie Approach to Procedural Animation
by David Rosen (Wolfire Games)
Visual Arts
-
GDC 2014
Animation Bootcamp: Animating Cameras for Games
by Simon Unger (Robotoki)
Visual Arts
-
GDC 2014
Animation Bootcamp: Animating the Spy Fantasy in Splinter Cell
by Kristjan Zadziuk (Ubisoft Toronto)
Visual Arts
GDC Europe 2013
-
GDC Europe 2013
Broken Age's Approach to Scalability
by Oliver Franzke (Double Fine Productions)
Visual Arts
-
GDC Europe 2013
Building Epic Worlds Through the Strengths of Outsourcing
by Chris Mielke (Epic Games, Inc.)
Visual Arts
-
GDC Europe 2013
Shining the Light on Crysis 3
by Donzallaz Pierre-Yves (Crytek)
Visual Arts
-
GDC Europe 2013
The Art and Rendering of Remember Me
by Sebastien Lagarde (DONTNOD Entertainment)
Visual Arts
GDC 2013
-
GDC 2013
Animation Bootcamp: Designing a Performance
by Michael Jungbluth (Zenimax Online)
Visual Arts
-
GDC 2013
Animation Bootcamp: From Stage to Screen: How to Get the Most From Your ...
by Simon Unger (Independent)
Visual Arts
-
GDC 2013
Animation Bootcamp: Q&A Session
by Tim Borrelli (5th Cell)
Visual Arts
-
GDC 2013
Casting a New Light on a Familiar Face: Light Based Rendering in Tomb Ra...
by Jason Lacroix (Crystal Dynamics)
Visual Arts
GDC Europe 2012
-
GDC Europe 2012
Bringing Home the Bacon- Developing the VFX of "Spec Ops: The Line" as T...
by Florian Zender (Yager Development)
Visual Arts
-
GDC Europe 2012
How Breakdancing Taught Me to be a Technical Artist
by Robbert-Jan Brems (Codemasters)
Visual Arts
-
GDC Europe 2012
You Want How Many Animations When? Getting Large Amounts of High Quality...
by Floyd Bishop (Sony Online Entertainment)
Visual Arts
GDC 2012
-
GDC 2012
Bringing the Visuals of Gravity Rush to PlayStation Vita
by Yoshiaki Yamaguchi (Sony Computer Entertainment Japan)
Visual Arts
-
GDC 2012
Creating the Flood Effects in Uncharted 3
by Eben Cook (Naughty Dog)
Visual Arts
-
GDC 2012
Saints Row the Third Real Time Capture Tools
by Alexander Mejia (Volition-Inc/THQ Inc)
Visual Arts
-
GDC 2012
Stereography: The Art of 3D
by Simon Benson (Sony Computer Entertainment)
Visual Arts
GDC Europe 2011
-
GDC Europe 2011
Implementing Robust and Scalable Art Integration
by Steve Kestell (EA Canada)
Visual Arts
-
GDC Europe 2011
Lighting in Crysis 2
by Pierre-Yves Donzallaz (Crytek)
Visual Arts
-
GDC Europe 2011
SkyRama: Art Directing a Social Game with a Small Team
by Hector Moran (Sproing Interactive Media)
Visual Arts
-
GDC Europe 2011
The Cinematics of Mortal Kombat: Re-Booting a Legend
by Dominic Cianciolo (Netherrealm Studios)
Visual Arts
GDC 2011
-
GDC 2011
ALAN WAKE: Light and Dark
by Saku Lehtinen (Remedy Entertainment)
Visual Arts
-
GDC 2011
ALAN WAKE: Light and Dark
by Saku Lehtinen (Remedy Entertainment)
Visual Arts
-
GDC 2011
An Automated Pipeline for Generating Run-Time Rigs
by Adam Mechtley (Candlelight Interactive)
Visual Arts
-
GDC 2011
Beyond Horror: Art Directing DEAD SPACE 2
by Ian Milham (Electronic Arts Redwood Shores)
Visual Arts
GDC 2010
-
GDC 2010
Automated Emotion: Facial Animation in Star Wars: The Old Republic
by Ben Cloward (Bioware)
Visual Arts
-
GDC 2010
Automated Emotion: Facial Animation in Star Wars: The Old Republic
by Ben Cloward (Bioware)
Visual Arts
-
GDC 2010
Automated Emotion: Facial Animation in Star Wars: The Old Republic
by Ben Cloward (Bioware)
Visual Arts
-
GDC 2010
Automated Emotion: Facial Animation in Star Wars: The Old Republic
by Ben Cloward (Bioware)
Visual Arts
GDC China 2009
-
GDC China 2009
Cinematic Game Design III: Action!
by Martin Stoltz, Richard Rouse III (Big Huge Games, Kaos Studios)
Visual Arts
-
GDC China 2009
Cinematic Game Design III: Action!
by Martin Stoltz, Richard Rouse III (Big Huge Games, Kaos Studios)
Visual Arts
-
GDC China 2009
Creating First Person Movement for MIRROR'S EDGE
by Tobias Dahl, Mikael Lagre (Dice EA)
Visual Arts
-
GDC China 2009
Creating First Person Movement for MIRROR'S EDGE
by Tobias Dahl, Mikael Lagre (Dice EA)
Visual Arts
GDC Europe 2009
GDC 2009
-
GDC 2009
Blowing Up the Outside World: Destruction Done the Next Gen Way
by Jeff Hanna (Volition, Inc)
Visual Arts
-
GDC 2009
Blowing Up the Outside World: Destruction Done the Next Gen Way
by Jeff Hanna (Volition, Inc)
Visual Arts
-
GDC 2009
Blowing Up the Outside World: Destruction Done the Next Gen Way
by Jeff Hanna (Volition, Inc)
Visual Arts
-
GDC 2009
Blowing Up the Outside World: Destruction Done the Next Gen Way
by Jeff Hanna (Volition, Inc)
Visual Arts
GDC 2008
-
GDC 2008
(205) Normal Mapping Industry Survey
by Steve Chapman (Gentle Giant Studios)
Visual Arts
-
GDC 2008
(205) Normal Mapping Industry Survey
by Steve Chapman (Gentle Giant Studios)
Visual Arts
-
GDC 2008
(205) Normal Mapping Industry Survey
by Steve Chapman (Gentle Giant Studios)
Visual Arts
-
GDC 2008
Creating Scalable and Dynamic Graphics for WORLD IN CONFLICT
by Rodrigo Cortes (Massive Entertain...)
Visual Arts
GDC 2007
-
GDC 2007
4D in Zero Space: Living Games with Procedural Textures
by Sebastien Deguy (Allegorithmic)
Visual Arts
-
GDC 2007
Art Department Confidential
by Seth Spaulding (Blizzard Entertainment)
Visual Arts
-
GDC 2007
Art Department Confidential
by Seth Spaulding (Blizzard Entertainment)
Visual Arts
-
GDC 2007
Autodesk 3ds Max and Autodesk Maya: Advanced Animation Techniques
by Tony Lewellen (Midway Games)
Visual Arts
GDC 2006
-
GDC 2006
3ds Max - Strategies and Techniques for Real-Time Shaders
by Neil Hazzard (Autodesk)
Visual Arts
-
GDC 2006
Advanced Tool Writing for Character Technical Directors (TD)
by Judd Simantov (Naughty Dog Inc)
Visual Arts
-
GDC 2006
Cinematic Game Design
by Marty Stoltz (Midway Games Chicago)
Visual Arts
-
GDC 2006
Next-Generation of Character Concept Art: Creating Photo-real People Who...
by Chip Sineni (Midway Games)
Visual Arts
