The Number One Educational Resource for the Game Industry
Game Developers Conference 2025
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Game Developers Conference 2025
'Arranger': A Conventions-Breaking Art Direction
by David Hellman (Furniture & Mattress)
Visual Arts
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Game Developers Conference 2025
'Cyberpunk 2077': "Hacking" the Secrets of Its Cinematic Animation
by David Cordero Iglesias (CD PROJEKT RED)
Visual Arts
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Game Developers Conference 2025
Adobe Developer Summit: Adobe Substance 3D Keynote(Presented by Adobe)
by Wes McDermott (Adobe)
Visual Arts
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Game Developers Conference 2025
Adobe Developer Summit: Game Environment Creation Made Easier with Subst...
by Nikolay Marinov (Frontier Developments)
Visual Arts
Game Developers Conference 2024
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Game Developers Conference 2024
'Diablo IV': The Art of Open World Sanctuary
by Mahreen Fatima (Blizzard Entertainment)
Visual Arts
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Game Developers Conference 2024
'Marvel's Spider-Man 2': 10 Years of Procedural Content Creation
by Xray Halperin (Insomniac Games)
Visual Arts
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Game Developers Conference 2024
3D Toon Rendering in 'Hi-Fi RUSH'
by Kosuke Tanaka (Tango Gameworks)
Visual Arts
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Game Developers Conference 2024
3D Toon Rendering in 'Hi-Fi RUSH'
by Kosuke Tanaka (Tango Gameworks)
Visual Arts
Showcase 2023
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Showcase 2023
Game Art Career Fireside with Mariel Kinuko Cartwright and Bryant Francis
by Bryant Francis (Game Developer)
Visual Arts
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Showcase 2023
Game Design Career Fireside with Raph Koster with Bryant Francis
by Raph Koster (Playable Worlds)
Visual Arts
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Showcase 2023
Living Paintings of OFK: Art Directing the Style and Lives of an Indie-P...
by Nafisah Tung (Teddy Dief)
Visual Arts
Game Developers Conference 2023
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Game Developers Conference 2023
'Dead Space': Harnessing the Power of Light and Darkness
by Guillaume Goudreault (Electronic Art)
Visual Arts
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Game Developers Conference 2023
'God of War Ragnarok': Building the UI for a AAA Sequel
by Zach Bohn (Santa Monica Studio)
Visual Arts
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Game Developers Conference 2023
'LEVEL UP YOUR GAME': Access 200M Gamers with Razer Chroma RGB and Inter...
by Quyen Quach (Razer)
Visual Arts
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Game Developers Conference 2023
Achieving High-Quality 90fps Realism in a Mobile Game, Technically and V...
by Zhi Liang (Netease)
Visual Arts
GD Talks
Game Developers Conference 2022
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Game Developers Conference 2022
'Dead by Daylight': Integrating Shaders into the User Interface Pipeline
by Adrienne Pugh (Epic Games)
Visual Arts
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Game Developers Conference 2022
'Diablo 2: Resurrected': The Art Direction and Pipelines for Resurrectin...
by Dustin King (Blizzard Entertainment)
Visual Arts
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Game Developers Conference 2022
'Naraka Bladepoint': Build a Popular Face Customization System
by Sisi Yuan (Netease, Inc.)
Visual Arts
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Game Developers Conference 2022
'Naraka Bladepoint': Build a Popular Face Customization System
by Sisi Yuan (Netease, Inc.)
Visual Arts
Game Developers Conference 2021
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Game Developers Conference 2021
"Alpha Point" UE5 Demo: Unlocking Artist Potential (Presented by Epic Ga...
by Colin Penty (The Coalition)
Visual Arts
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Game Developers Conference 2021
'Genshin Impact': Crafting an Anime Style Open World
by Colin Penty (The Coalition)
Advanced Graphics Summit
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Game Developers Conference 2021
'Genshin Impact': Crafting an Anime Style Open World
by Colin Penty (The Coalition)
Advanced Graphics Summit
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Game Developers Conference 2021
'Genshin Impact': Crafting an Anime Style Open World
by Colin Penty (The Coalition)
Advanced Graphics Summit
Showcase 2021
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Showcase 2021
Animation Bootcamp: Cuphead Process and Philosophy
by Jake Clark (Studio MDHR)
Visual Arts
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Showcase 2021
Art Direction Summit: Better, Stronger, Faster: 3D Concept Art for Envir...
by Patrik Rosander (Fatshark Games)
Visual Arts
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Showcase 2021
Exploring Hidden Stories in the World of 'XCOM 2'
by Justin Rodriguez (Firaxis Games)
Visual Arts
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Showcase 2021
Fizzy Brushstrokes: The Art of 'Knights and Bikes'
by Rex Crowle (Foam Sword)
Visual Arts
Summer 2020
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Summer 2020
Adaptive Placement of Dynamic Lighting Probes: Taking Full Advantage of ...
by Diego Garzon (Microsoft)
Visual Arts
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Summer 2020
Adaptive Placement of Dynamic Lighting Probes: Taking Full Advantage of ...
by Diego Garzon (Microsoft)
Visual Arts
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Summer 2020
Art of 'Sky: Children of the Light'
by Yuichiro Tanabe (ThatGameCompany)
Visual Arts
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Summer 2020
Art of 'Sky: Children of the Light'
by Yuichiro Tanabe (ThatGameCompany)
Visual Arts
GDC 2020
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GDC 2020
'Void Bastards' Art Style Origin Story
by Ben Lee (Blue Manchu)
Visual Arts
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GDC 2020
Art Direct for 100 MPH: Balancing Visuals with Performance for 'Forza Mo...
by Matt Collins (Microsoft-Turn 10)
Visual Arts
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GDC 2020
Art Direct for 100 MPH: Balancing Visuals with Performance for 'Forza Mo...
by Matt Collins (Microsoft-Turn 10)
Visual Arts
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GDC 2020
Art Direction Summit: Better, Stronger, Faster: 3D Concept Art for Envir...
by Patrik Rosander (Fatshark Games)
Art Direction Summit
2019
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2019
"Hot New Terrain Features and the Road Ahead" & "Intro to Deep Learning ...
by Chad Foxglove (Unity Technologies)
Visual Arts
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2019
'Marvel's Spider-Man': A Deep Dive into the Look Creation of Manhattan (...
by Brian Mullen (Insomniac Games)
Visual Arts
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2019
'Marvel's Spider-Man': Procedural Lighting Tools
by Xray Halperin (Insomniac Games)
Visual Arts
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2019
'Marvel's Spider-Man': Procedural Lighting Tools
by Xray Halperin (Insomniac Games)
Visual Arts
GDC 2018
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GDC 2018
A Practical Approach to Developing Forward-Facing Rigs, Tools and Pipelines
by Michael Malinowski (Creative Assembly)
Visual Arts
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GDC 2018
A Practical Approach to Developing Forward-Facing Rigs, Tools and Pipelines
by Michael Malinowski (Creative Assembly)
Visual Arts
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GDC 2018
Allegorithmic's Keynote: What's New with Substance (Presented by Allegor...
by Sebastien Deguy (Allegorithmic)
Visual Arts
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GDC 2018
Allegorithmic's Keynote: What's New with Substance (Presented by Allegor...
by Sebastien Deguy (Allegorithmic)
Visual Arts
GDC 2017
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GDC 2017
'Agents of Mayhem': Physically-Based Materials in a Stylized Open World
by James Taylor (DS Volition)
Visual Arts
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GDC 2017
'Agents of Mayhem': Physically-Based Materials in a Stylized Open World
by James Taylor (DS Volition)
Visual Arts
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GDC 2017
'Bound': Emotions Through Ballet and Modern Art
by Michal Staniszewski (Plastic)
Visual Arts
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GDC 2017
'Ghost Recon Wildlands': Terrain Tools and Technology
by Guillaume Werle (Ubisoft)
Visual Arts
GDC 2016
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GDC 2016
'Fallout 4's' Modular Level Design
by Joel Burgess (Bethesda Game Studios)
Visual Arts
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GDC 2016
'Fallout 4's' Modular Level Design
by Joel Burgess (Bethesda Game Studios)
Visual Arts
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GDC 2016
8 Bit & '8 Bitish' Graphics-Outside the Box
by Mark Ferrari (Terrible Toybox)
Visual Arts
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GDC 2016
An Architect's Guide to Creating Expressive Game Environments
by Claris Cyarron (Silverstring Media)
Visual Arts
GDC Europe 2015
GDC 2015
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GDC 2015
A Live Art Demonstration of Creating Worlds through Design Thinking
by Feng Zhu (Feng Zhu Design)
Visual Arts
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GDC 2015
Advanced Visual Effects for 2D Games
by Viktor Lidholt (Apportable)
Visual Arts
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GDC 2015
Advanced Visual Effects for 2D Games
by Viktor Lidholt (Apportable)
Visual Arts
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GDC 2015
Advanced Visual Effects With DirectX 11 & 12: Advancements in Tile-based...
by Gareth Thomas (AMD)
Visual Arts
GDC Europe 2014
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GDC Europe 2014
Art Production Learnings: From Console to Browser to Mobile
by Thomas Woode (Gameloft)
Visual Arts
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GDC Europe 2014
Art Production Learnings: From Console to Browser to Mobile
by Thomas Woode (Gameloft)
Visual Arts
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GDC Europe 2014
Battlefield 4: Creating a More Dynamic Battlefield
by Linnea Harrison (EA DICE)
Visual Arts
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GDC Europe 2014
Battlefield 4: Creating a More Dynamic Battlefield
by Linnea Harrison (EA DICE)
Visual Arts
GDC 2014
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GDC 2014
2D Animation at Klei Entertainment
by Jeff Agala (Klei Entertainment)
Visual Arts
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GDC 2014
2D Animation at Klei Entertainment
by Jeff Agala (Klei Entertainment)
Visual Arts
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GDC 2014
2D Animation at Klei Entertainment
by Jeff Agala (Klei Entertainment)
Visual Arts
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GDC 2014
Animation Bootcamp: An Indie Approach to Procedural Animation
by David Rosen (Wolfire Games)
Visual Arts
GDC Europe 2013
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GDC Europe 2013
Broken Age's Approach to Scalability
by Oliver Franzke (Double Fine Productions)
Visual Arts
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GDC Europe 2013
Broken Age's Approach to Scalability
by Oliver Franzke (Double Fine Productions)
Visual Arts
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GDC Europe 2013
Broken Age's Approach to Scalability
by Oliver Franzke (Double Fine Productions)
Visual Arts
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GDC Europe 2013
Building Epic Worlds Through the Strengths of Outsourcing
by Chris Mielke (Epic Games, Inc.)
Visual Arts
GDC 2013
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GDC 2013
Animation Bootcamp: Animating The 3rd Assassin
by Jonathan Cooper (Ubisoft Montreal)
Visual Arts
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GDC 2013
Animation Bootcamp: Animating The 3rd Assassin
by Jonathan Cooper (Ubisoft Montreal)
Visual Arts
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GDC 2013
Animation Bootcamp: Designing a Performance
by Michael Jungbluth (Zenimax Online)
Visual Arts
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GDC 2013
Animation Bootcamp: Designing a Performance
by Michael Jungbluth (Zenimax Online)
Visual Arts
GDC Europe 2012
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GDC Europe 2012
Bringing Home the Bacon- Developing the VFX of "Spec Ops: The Line" as T...
by Florian Zender (Yager Development)
Visual Arts
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GDC Europe 2012
Bringing Home the Bacon- Developing the VFX of "Spec Ops: The Line" as T...
by Florian Zender (Yager Development)
Visual Arts
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GDC Europe 2012
Bringing Home the Bacon- Developing the VFX of "Spec Ops: The Line" as T...
by Florian Zender (Yager Development)
Visual Arts
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GDC Europe 2012
Concept Art Learnings From Game Of Thrones To... Games!
by Tobias Mannewitz (Karakter)
Visual Arts
GDC 2012
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GDC 2012
Asking the Impossible on SSX: Creating 300 Tracks on a Ten-Track Budget
by Caleb Howard (Electronic Arts Canada)
Visual Arts
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GDC 2012
Asking the Impossible on SSX: Creating 300 Tracks on a Ten-Track Budget
by Caleb Howard (Electronic Arts Canada)
Visual Arts
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GDC 2012
Bringing the Visuals of Gravity Rush to PlayStation Vita
by Yoshiaki Yamaguchi (Sony Computer Entertainment Japan)
Visual Arts
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GDC 2012
Bringing the Visuals of Gravity Rush to PlayStation Vita
by Yoshiaki Yamaguchi (Sony Computer Entertainment Japan)
Visual Arts
GDC Europe 2011
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GDC Europe 2011
An Open World Game in 60FPS? Direction that Transcends Limitations in Dr...
by Mike Haynes (Red Storm Entertainment)
Visual Arts
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GDC Europe 2011
Gardens of Time: Art and Iteration
by Eric Todd (Playdom)
Visual Arts
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GDC Europe 2011
Implementing Robust and Scalable Art Integration
by Steve Kestell (EA Canada)
Visual Arts
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GDC Europe 2011
Implementing Robust and Scalable Art Integration
by Steve Kestell (EA Canada)
Visual Arts
GDC 2011
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GDC 2011
ALAN WAKE: Light and Dark
by Saku Lehtinen (Remedy Entertainment)
Visual Arts
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GDC 2011
ALAN WAKE: Light and Dark
by Saku Lehtinen (Remedy Entertainment)
Visual Arts
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GDC 2011
ALAN WAKE: Light and Dark
by Saku Lehtinen (Remedy Entertainment)
Visual Arts
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GDC 2011
An Automated Pipeline for Generating Run-Time Rigs
by Adam Mechtley (Candlelight Interactive)
Visual Arts
GDC Europe 2010
GDC 2010
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GDC 2010
A Day In The Life: Creating The Beatles: Rock Band
by Ryan Lesser (Harmonix Music Systems)
Visual Arts
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GDC 2010
A Day In The Life: Creating The Beatles: Rock Band
by Ryan Lesser (Harmonix Music Systems)
Visual Arts
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GDC 2010
Animation Process of God of War III
by Bruno Velazquez (Sony Santa Monica)
Visual Arts
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GDC 2010
Authoring Physically Simulated Destruction with NVIDIA APEX
by Bryan Galdrikian (NVIDIA)
Visual Arts
GDC China 2009
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GDC China 2009
Cinematic Game Design III: Action!
by Martin Stoltz, Richard Rouse III (Big Huge Games, Kaos Studios)
Visual Arts
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GDC China 2009
Cinematic Game Design III: Action!
by Martin Stoltz, Richard Rouse III (Big Huge Games, Kaos Studios)
Visual Arts
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GDC China 2009
Creating First Person Movement for MIRROR'S EDGE
by Tobias Dahl, Mikael Lagre (Dice EA)
Visual Arts
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GDC China 2009
Creating First Person Movement for MIRROR'S EDGE
by Tobias Dahl, Mikael Lagre (Dice EA)
Visual Arts
GDC Europe 2009
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GDC Europe 2009
A Discussion with Don Daglow
by Don Daglow (Don Daglow Interactive Entertainment)
Visual Arts
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GDC Europe 2009
Creating Visual Identity for Games
by Viktor Antonov (The Building Studios)
Visual Arts
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GDC Europe 2009
Specing out AAA Art Development: Know the Hell You're Getting Into!
by Stefan Baier (Streamline Studios B.V.)
Visual Arts
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GDC Europe 2009
Specing out AAA Art Development: Know the Hell You're Getting Into!
by Stefan Baier (Streamline Studios B.V.)
Visual Arts
GDC 2009
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GDC 2009
Art Directing Horror and Immersion in DEAD SPACE
by Ian Milham (Electronic Arts Redwood Shores)
Visual Arts
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GDC 2009
Behind the Scenes: The GEARS OF WAR 2 Cinematics Pipeline
by Tanya Jessen (Epic Games)
Visual Arts
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GDC 2009
Blowing Up the Outside World: Destruction Done the Next Gen Way
by Jeff Hanna (Volition, Inc)
Visual Arts
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GDC 2009
Blowing Up the Outside World: Destruction Done the Next Gen Way
by Jeff Hanna (Volition, Inc)
Visual Arts
GDC 2008
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GDC 2008
(205) Normal Mapping Industry Survey
by Steve Chapman (Gentle Giant Studios)
Visual Arts
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GDC 2008
(205) Normal Mapping Industry Survey
by Steve Chapman (Gentle Giant Studios)
Visual Arts
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GDC 2008
(205) Normal Mapping Industry Survey
by Steve Chapman (Gentle Giant Studios)
Visual Arts
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GDC 2008
Art Outsourcing: Client Best Practices
by Paul Steed (Exigent)
Visual Arts
GDC 2007
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GDC 2007
4D in Zero Space: Living Games with Procedural Textures
by Sebastien Deguy (Allegorithmic)
Visual Arts
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GDC 2007
4D in Zero Space: Living Games with Procedural Textures
by Sebastien Deguy (Allegorithmic)
Visual Arts
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GDC 2007
Final Fantasy XII Postmortem
by Taku Murata (Square Enix Co.,Ltd)
Visual Arts
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GDC 2007
Adapting Digital Cinematography Techniques for Game Development
by Jerry O\'Flaherty (Warner Brothers Studio)
Visual Arts
GDC 2006
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GDC 2006
3ds Max - Complex Data Mapping Production Techniques
by Vincent Brisebois (Autodesk)
Visual Arts
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GDC 2006
3ds Max - Strategies and Techniques for Real-Time Shaders
by Neil Hazzard (Autodesk)
Visual Arts
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GDC 2006
3ds Max - Strategies and Techniques for Real-Time Shaders
by Neil Hazzard (Autodesk)
Visual Arts
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GDC 2006
Advanced Tool Writing for Character Technical Directors (TD)
by Judd Simantov (Naughty Dog Inc)
Visual Arts
GDC 2005
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GDC 2005
Art Content Creation for the Next Generation Unreal Engine
by Pete Hayes
Visual Arts
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GDC 2005
Best Practices for Game Lighting with Maya
by Rob Ormond
Visual Arts
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GDC 2005
Cinema Quality Face Animation Using Bones
by Nicholas Zeman
Visual Arts
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GDC 2005
Concepts & Animating Sam Fisher in Splinter Cell:The Chaos Theory
by Gilles Monteil
Visual Arts
GDC 2004
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GDC 2004
Acting for Animators
by Douglas Conorich
Visual Arts
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GDC 2004
Character Rigger's Cookbook
by Steve Theodore (Undead Labs)
Visual Arts
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GDC 2004
Creating Water and Fluid Effects For Video Games
by Cyrus Peikari
Visual Arts
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GDC 2004
Digital Painting, and The Narrowing Gap between Games and Film
by Paula Moore
Visual Arts
GDC 2003
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GDC 2003
A Review of Current and Future Animation Issues
by Paul Steed
Visual Arts
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GDC 2003
Advanced Techniques in Creating Tile-Based Graphics for GameBoy Advance
by Karthik Bala
Visual Arts
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GDC 2003
Art Directors Panel: Aesthetics and the Almighty Dollar
by Cyrus Lum
Visual Arts
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GDC 2003
Character Rigging and Animation: Parts 1 & 2
by Martin Coven
Visual Arts
GDC 2002
GDC 2001
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GDC 2001
Aesthetics Beyond Techology: Nonphotorealistic Rendering Art Styles
by Gary Snyder (Propaganda Games)
Visual Arts
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GDC 2001
Art Creation for a PlayStation 2 Launch Title - The Ups and Downs of Sum...
by Adam Pletcher (Volition, Inc.)
Visual Arts
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GDC 2001
Character Design, Sketching, and Painting
by Donald Seegmiller
Visual Arts
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GDC 2001
Content Acquisition for Levels in The Getaway: London Wasn`t Built in a Day
by Sam Coates
Visual Arts
